The 'chronotrack' alarm still goes off. I haven't been very diligent tracking but I'm still on CT Time.
Hosted a wedding. Set up a site for Kevin Daviet.
Played 11.1.11 at the Zoo Bar in Lincoln as Animato with Josh Hoyer (sax) and Andy Marker (drums, from Somasphere), the projection system rigged to my piano worked out well. Funktion from Michigan closed the night. They are a solid funk show band with modern R&B and rap flavors. First Friday was fun, got there late and played some live Lazer / Dubstep with Owlsley and Eye In The Sky. I have one Brand Ambassador gig left to execute for Clearly Promotions / Pierce tomorrow. Also Winged the show at Cultiva Coffee (without a sustain pedal) but the crowd was supportive. I've been enjoying my coding workflow (FileZilla, Notepad++). I built a custom interface for the Control app on my iPhone (Javascript). So far this has been the most productive coding project I've undertaken. FFGL is on the back burner. I had to turn down Double Daughters in Denver for a gig in November, but likely will play during the week in December (the live-in piano teaching position is a go). I sent one stem pack (Chief Rock) to Valance Drakes in London. I have two or three producers in my Soundcloud inbox who are interested in doing remixes that I need to attend to. Also as of today, Mike from Afton contacted me via Soundcloud about a show at the Oriental Theatre in Denver on Sunday, December 18th. I have one fan on Facebook who found Maestro Vex via Soundcloud and 'liked' it on Facebook.
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Tuesday, November 15, 2011
Friday, September 30, 2011
Made it to chapter 2 in Ariel Hyatt's book.
Here is a prototype of my projection mapped av set:
Here is a prototype of my projection mapped av set:
Chronotracker has been indexed, so the search works now. Need to start
transferring links from EF. Although this blog is a personal time
stream, it may hold value for the audiovisual creative and
entertainment set. Anyone with interactive, musical or VJ ambitions
might want to follow what I'm doing. Plastikman, Amon Tobin, Schpongle
as well as Zebbler Enchanti Experience (edit) are examples of the type
of thing I'm going for.
About me for branding purposes later:
I started playing piano professionally at the age of 17 in a country
band called Freeride. We played as far south of Lincoln the Office Bar
in Beatrice.
I have played in the studio with Rilo Kiley at Presto! Recording
Studio, produced beats for Rig 1 (These are Saddle Creek Artists). In
2008 I worked for the Fox Theatre in Boulder, CO, first on the street
team (for Gabriel Cortez) and later on the stage. My Production
Manager was Colin Peterson. I left the Fox to tour with Salem
representing Columbia Sportswear during which time I performed for two
nights at the Tugboat in Steamboat Springs with Bill McKay from
Leftover Salmon. In 2009 I started renting studio space in Boxcar
Gallery (Denver) where I showed my interactive electronic
installations on the Santa Fe Art Walk. In June and July of 2010 I
partnered with Kevin Daviet in operating Approaching Zero, a gallery
and event space which hosted several 100+ person events and the
talents of many Denver artists including Reak Havok and Video Junkie
Zombie. It was located next door to the Primerdome. In 2011 I built an
interactive installation at Colorado Art Center with Justin Larwick.
Also in early 2011 I began collaborating online with London IDM artist
MusSck aka Valance Drakes (recently signed to Schematic) under the
alias Maestro Vex. In August of 2011 I leased gallery space in
Historic Downtown Fairbury, Nebraska to continue working with bass,
visuals and interactive media, as well as found objects (Gallery
413). I'm 28.
Sent from my iPhone
transferring links from EF. Although this blog is a personal time
stream, it may hold value for the audiovisual creative and
entertainment set. Anyone with interactive, musical or VJ ambitions
might want to follow what I'm doing. Plastikman, Amon Tobin, Schpongle
as well as Zebbler Enchanti Experience (edit) are examples of the type
of thing I'm going for.
About me for branding purposes later:
I started playing piano professionally at the age of 17 in a country
band called Freeride. We played as far south of Lincoln the Office Bar
in Beatrice.
I have played in the studio with Rilo Kiley at Presto! Recording
Studio, produced beats for Rig 1 (These are Saddle Creek Artists). In
2008 I worked for the Fox Theatre in Boulder, CO, first on the street
team (for Gabriel Cortez) and later on the stage. My Production
Manager was Colin Peterson. I left the Fox to tour with Salem
representing Columbia Sportswear during which time I performed for two
nights at the Tugboat in Steamboat Springs with Bill McKay from
Leftover Salmon. In 2009 I started renting studio space in Boxcar
Gallery (Denver) where I showed my interactive electronic
installations on the Santa Fe Art Walk. In June and July of 2010 I
partnered with Kevin Daviet in operating Approaching Zero, a gallery
and event space which hosted several 100+ person events and the
talents of many Denver artists including Reak Havok and Video Junkie
Zombie. It was located next door to the Primerdome. In 2011 I built an
interactive installation at Colorado Art Center with Justin Larwick.
Also in early 2011 I began collaborating online with London IDM artist
MusSck aka Valance Drakes (recently signed to Schematic) under the
alias Maestro Vex. In August of 2011 I leased gallery space in
Historic Downtown Fairbury, Nebraska to continue working with bass,
visuals and interactive media, as well as found objects (Gallery
413). I'm 28.
Sent from my iPhone
Tuesday, September 27, 2011
The Processing-inside-of-Resolume thing is pretty hot... but right now that project seems impossible. I know that it isn't and simplifying to the point of absurdity may be useful. I know I need either A) embed a Java Native Interface inside of the C++ for FFGL, or B) use openFrameworks to port the Processing sketch to C++.
Being novice doesn't help the anxiety but then I suppose I enjoy the puzzle. I will try to keep these posts short and to the point, in this case we are on the Engineering side of Art.
Being novice doesn't help the anxiety but then I suppose I enjoy the puzzle. I will try to keep these posts short and to the point, in this case we are on the Engineering side of Art.
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